王维的咏物诗在中国诗歌史上具有范式转换意义。在他之前，咏物诗多以铺陈物态为主（如六朝咏物赋），而王维划时代地将禅宗“即物即真”的观照方式系统引入咏物传统——他笔下的红豆、辛夷、白石、寒梅，不再是被观赏的客体，而是主体心境的镜像：物象本身即承载着“不言而言”的寄托，读者无需借助典故训诂，直接从物象的存在状态（开落、清浅、明暗）即可感知诗人的情感与哲思。

这种“以物观物，物我两忘”的手法，直接影响了后世苏轼的“随物赋形”、司空图的“象外之象”，并渐成为中国古代咏物诗“不粘不脱”美学的核心标准。本辑14首，正是这一传统的集中呈现。

本辑收录了14首，物象完整覆盖：红豆、辛夷、白石、红莲、茱萸、寒梅、牡丹、萍柳、古槐、漆树、文杏、垂柳、玉壶寒冰、山林夕岚，花木、水景、器物、建筑全类别；

情志多元：相思、高洁、乡愁、淡泊、出世、禅寂、自持，贴合 “借物抒怀、含蓄寄托” 核心主题。

信达雅独创英译本辑14首，可供读者欣赏、典藏。

1. 《相思》

红豆生南国，春来发几枝。

愿君多采撷，此物最相思。

勘校：

1）诗题，一作《相思子》《江上赠李龟年》；

2） “愿君” 一作 “劝君”

2）Red Beans

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Redbeans grow in southern soil;

Whattender boughs spring may uncoil!

Gatherthem more, my friend, with care—

Thesebeans the deepest longing bear.

2. 《辛夷坞》

木末芙蓉花，山中发红萼。

涧户寂无人，纷纷开且落。

MagnoliaDell

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Magnoliablooms on treetops high,

Crimsoncalyxes in mountains nigh.

By thelone stream no footstep falls—

Theybloom and fade through silent halls.

3. 《白石滩》

清浅白石滩，绿蒲向堪把。

家住水东西，浣纱明月下。

WhiteStone Shoal

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Theshoal lies clear with white stones bright,

Greenrushes grow to grasp in sight.

Homesline the water, east and west,

Maidswash silk in the moonlit rest.

4. 《莲花坞》

日日采莲去，洲长多暮归。

弄篙莫溅水，畏湿红莲衣。

LotusCove

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Eachday I pluck lotus flowers away;

Longisles keep me till dusk of day.

I polethe boat—no splash, I pray—

Lest Iwet the red robe's array.

5. 《茱萸沜》

结实红且绿，复如花更开。

山中傥留客，置此芙蓉杯。

勘校：

1） 芙蓉：一作“茱萸”；

2）傥，通 “倘”，古籍通用。

DogwoodPool

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Itsberries red and green combine,

Likeblossoms that again design.

Ifguests would stay in mountain rest,

We'llfill these lotus cups with zest.

6. 《杂诗・君自故乡来》（一作《杂咏》）

君自故乡来，应知故乡事。

来日绮窗前，寒梅著花未？

Toa Visitor from Hometown

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Youcome from where my homeland lies—

Youknow its scenes and familiar ties.

Theday you left, by my silk window bright,

Didthe cold plum bloom in that soft light?

7. 《红牡丹》

绿艳闲且静，红衣浅复深。

花心愁欲断，春色岂知心。

Appreciation:

RedPeony

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Greenleaves in quiet grace repose,

Crimsonrobes from light to deep compose.

Theflower's heart aches near to break—

Canspring's bright hues its sorrow take?

8. 《木兰柴》

秋山敛馀照，飞鸟逐前侣。

彩翠时分明，夕岚无处所。

勘校：“馀”为繁体余，属异体通用。

MagnoliaFence

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Autumnhills hold the sunset's gleam,

Birdsfollow mates in flight's last stream.

Vividhues flash and fade away—

Eveningmist has nowhere to stay.

9. 《萍池》

春池深且广，会待轻舟回。

靡靡绿萍合，垂杨扫复开。

DuckweedPond

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Thespring pool deep and wide does lie,

Awaitinga light boat's return by.

Greenduckweeds slowly close in bands—

Willowsbrush and part their strands.

10. 《宫槐陌》

仄径荫宫槐，幽阴多绿苔。

应门但迎扫，畏有山僧来。

PalaceLocust Path

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Thenarrow path with locusts' shade is deep,

Wheregreen moss grows in shadow's keep.

Thekeeper sweeps at morning and at eve,

Lest amountain monk come and perceive.

11. 《漆园》

古人非傲吏，自阙经世务。

偶寄一微官，婆娑数株树。

LacquerGarden

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Theancient sage was no proud man,

Helacked the skill for worldly plan.

Hetook a petty post by chance,

Andswayed with trees in leafy dance.

12.《赋得清如玉壶冰》

【赋得清如玉壶冰，京兆府试，时年十九】

玉壶何用好，偏许素冰居。

未共销丹日，还同照绮疏。

抱明中不隐，含净外疑虚。

气似庭霜积，光言砌月馀。

晓凌飞鹊镜，宵映聚萤书。

若向夫君比，清心尚不如。

Pureas Ice in Jade Vase

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Whatuse has a jade vase so fine?

Itholds pure ice in its design.

Unmeltedby the sun's hot ray,

Itmirrors lattice windows gay.

Itsbrightness shows no hidden stain,

Itspurity seems void in vain.

Itsfrosty air like garden snow,

Itsgleam like moon on steps below.

Atdawn it rivals the magpie's glass,

Atnight it lights the firefly mass.

Ifwith a loyal heart you weigh—

Thisice's whiteness fades away.

13. 《柳浪》

分行接绮树，倒影入清漪。

不学御沟上，春风伤别离。

WillowWaves

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Willowsin rows by fine trees stand,

Theirshadows sink in water's band.

Theydo not learn the palace moat's despair—

Togrieve when spring bids friends farewell there.

14. 《文杏馆》

文杏裁为梁，香茅结为宇。

不知栋里云，去作人间雨。

GrainedApricot Hall

ByWang Wei (Tang Dynasty)

Translatedby Wang Yongli

Apricotwood is hewn for beams,

Fragrantthatch completes the eaves' dreams.

Theclouds that linger in the rafter's height—

Descendas rain to mortal sight.

本辑翻译说明：

专有名词统一：hill /glen/wicket gate /willow/jade vase 等词汇和边塞、田园、送别集保持一致，无冲突译法。

因水平有限，译作存在不足，敬请专家、学者和读者批评指正。译者愿意尽绵薄之力，为中华文化出海减少“文化折扣”做出些许贡献。

本辑以草木、器物寄君子风骨，一花一木皆藏王维禅心。配套原创英文格律译诗，恪守信达雅准则，用双语复刻含蓄东方情志，让托物言志的千年诗意跨越语言，向世界传递内敛纯粹的中式精神美学。（翻译王永利）